Natasha Mistry
Photo by Zaza Weissgerber
About Natasha .
Natasha Mistry’s practice is a disciplined investigation into the architecture of the subconscious. Moving away from saturated chromatic paintings, she now constructs "Diamond Grids"—luminous geometric works that function as sacred meditative spaces or gateways. Through meticulous pointillism using oils, mica-infused oils, natural pigments and graphite, she translates universal laws and organic patterns from nature into structured, resonant meditations.
BIOGRAPHY
A British artist of mixed South Asian and Celtic heritage, based between Boulder and London, Mistry’s practice is defined by a 23-year investigation into the Jungian unconscious. Her international career bridges mystical traditions and sacred geometry with contemporary technical precision, creating luminous, archival structures. Recent solo presentations include Imaginearia, curated by BMoCA for Macky Auditorium, University of Colorado, Boulder and The Diamond Grid Collection at Seidel City. Her international practice includes solo shows in South Korea, the UK, the USA, and artist residencies in the Peruvian Amazon and Andalucia, Spain.
SHOWS
Solo Shows
2024 – The Diamond Grid Collection, Seidel City, Boulder, CO. USA
2024 – Diamond Light, Home Within, Boulder, CO. USA
2024 Superconscious – The New Local Annex Gallery, Boulder, CO. USA
2022 Imaginearia – Boulder Museum Of Contemporary Art, Curated by Pamela Meadows, Andrew J Macky Gallery, Macky Auditorium, Boulder, CO.USA
2022 Sacred Geometries – Seidel City, Boulder, CO. USA
2021 Inner Landscapes – Refuge Art Gallery, curated by JDP Arts, Boulder, CO. USA
2020 Recent Work – Rbk Collective, Boulder, CO. USA
2019/18/17 Black and White/Mandala/Recent Work – T&C, Boulder, CO. USA
2012 Recent Work – Damwhahun Gallery, Jeju Island, South Korea
2006 Recent Work – The New Players Theatre, Embankment, London, UK
2005 Recent Work – Cha Cha Cha, Muswell Hill, London, UK
Group Exhibitions
2026 Echoes in the Void, Curated by Mr POOL, Seidel City, Boulder, CO, USA
2022 Museum - Seidel City, Curated by MR POOL, Boulder, CO. USA
2022 Contemplation - The Dairy Arts Center, Curated by Ilan Gutin, Boulder, CO. USA
2022 Art in The Round, BRDG Gallery, Denver, CO. USA
2021 CF Summer Show - C F Gallery, Louisville, CO. USA
2021 Spring Show – Refuge Art Gallery, Boulder, CO. USA
2019 Fall – R Gallery, Boulder, CO. USA
2018 Community Hang – Madelife, Boulder, CO. USA
2016 BMOCA Open Wall – Boulder Museum of Contemporary Art, CO. USA
2016 In&콩 – The End – Exotic Beasts - Seomyeon, Busan, South Korea
2014 Codigo – Sachaqa Centro De Arte – San Roque – Peru, South America
2012 Byeol Byeol Nara – Yeoncheon Art Gallery, South Korea
2012 Dreamphia – The Asian-Pacific City Summit (APCS) – Pohang, South Korea
Fundraisers, Non Profits and Auctions
2025/2026 ArtMIX @ BMoCA Boulder, CO, USA
2024-26 Term II-VI The New Local, Boulder, CO, USA
ART FAIRS
2015 Art On a Postcard – Vauxhall Art Car Boot Fair, The Turner Contemporary, Margate, UK
2015 Art On A Postcard – Vauxhall Art Car Boot Fair, The Truman Brewery, Brick Lane, London, UK
artist Residency Programmes
2016 Ravensthorpe Primary School, Cambridgeshire, UK
2016 Olive Retreat, Andalusía, Spain
2015 Ravensthorpe Primary School, Cambridgeshire, UK
2014 Sachaqa Centro de Arte, San Roque, Peru, South America
Teaching Experience
2016–2020 art-with-kids.com
St Paul American International School, Haeundae-Gu, South Korea
2013–2016 Fine Arts Teacher, Curriculum Developer
Publications/Media
Southwest Contemporary, Art Daily, Voyage Magazine, The Colorado Daily, Canvas Rebel Magazine,The Longmont Times, Mutual Art, The Denver Post, Westword, The Boulder Weekly, The Daily Camera, The Korea Times, The Jeju Weekly, Wonders of Jeju ( radio) Groove Magazine,
Follow @natashamistry_art
“The intricate geometries, color play and layering are fascinating and the more I stood, the more I became taken. ”
“..the works we presented were incredibly well received with Macky’s audience of several thousand people. Mistry received multiple press inquiries and coverage from regional publications, further illustrating her work’s ability to capture attention..””